goddard cottage snow

As I put the snow and icicles of Goddard behind me for another semester, I was thinking about the question of whether one can teach writing. I don’t know if we taught it, or whether we simply lived it, all together, for the last eight days. I come home filled by my colleagues who have been writing in the world: Kyle Bass who put together the beautiful Cry for Peace  with Ping Chong, drawing on the lives of refugees from the Congo; Susan Kim who has been collaborating on a dystopian young adult series and working with caretakers and medical staff who are supporting our veterans; Kenny Fries, poet/memoirist who wrote an opera this year; John McManus, whose novel-in-progress about gay refugees in Uganda just received a Creative Capital grant…etc., etc. fourteen times for the fourteen faculty who shared the residency with me.

I have also carried with me the work of my students, their questions, their struggles, their imagination, the high bar they set for themselves.  This semester, I asked the graduates for their graduation speeches (at Goddard, every graduate give his or her own speech).  These few snippets will show you why I love Goddard, and what makes it special:

They said,       “This has been an incredible journey.”

They said,       “This means the world to me.”

They said,       “We are leaving our incredible faculty, brilliant talents themselves, who truly care about the likes of us, who utilize equal parts love and cattle prod…but we’re taking each other.”

They said,       “This place is magic.”

If there was a slogan I could put in an ad for Goddard it would be this:

“This place is magic.”

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Rahna Reiko Rizzuto is the author of Shadow Child, a suspenseful literary historical novel published in 2018. Her first novel, Why She Left Us, won an American Book Award, and her memoir, Hiroshima in the Morning, was a National Book Critics Circle Finalist, an Asian American Literary Award Finalist, a Dayton Literary Peace Prize Nominee, and the winner of the Grub Street National Book Award. She is also a recipient of the U.S./Japan Creative Artist Fellowship, funded by the National Endowment for the Arts. She was Associate Editor of The NuyorAsian Anthology: Asian American Writings About New York City and is a Hedgebrook alumna. Reiko has been interviewed widely on motherhood including on The Today Show, 20/20, and The View. Her articles on motherhood, Hiroshima, the Japanese internment camps and radiation poisoning have been published globally, including in the L.A. Times, Guardian UK, CNN Opinion and Salon, and through the Progressive Media Project. She is a faculty member at Goddard College in the MFA in Creative Writing program, and is the advisor of the national literary journal, Clockhouse. Reiko is Japanese/Caucasian and was raised in Hawaii. She is the founder of the writing retreat Pele's Fire on the Big Island of Hawaii.

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